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Directed Diffusion: Direct Control of Object Placement through Attention Guidance (2302.13153v3)

Published 25 Feb 2023 in cs.CV, cs.GR, and cs.LG

Abstract: Text-guided diffusion models such as DALLE-2, Imagen, eDiff-I, and Stable Diffusion are able to generate an effectively endless variety of images given only a short text prompt describing the desired image content. In many cases the images are of very high quality. However, these models often struggle to compose scenes containing several key objects such as characters in specified positional relationships. The missing capability to direct'' the placement of characters and objects both within and across images is crucial in storytelling, as recognized in the literature on film and animation theory. In this work, we take a particularly straightforward approach to providing the needed direction. Drawing on the observation that the cross-attention maps for prompt words reflect the spatial layout of objects denoted by those words, we introduce an optimization objective that producesactivation'' at desired positions in these cross-attention maps. The resulting approach is a step toward generalizing the applicability of text-guided diffusion models beyond single images to collections of related images, as in storybooks. Directed Diffusion provides easy high-level positional control over multiple objects, while making use of an existing pre-trained model and maintaining a coherent blend between the positioned objects and the background. Moreover, it requires only a few lines to implement.

Directed Diffusion: Enhancing Object Placement in Text-to-Image Models

The research paper titled "Directed Diffusion: Direct Control of Object Placement through Attention Guidance" addresses a notable limitation in contemporary text-to-image (T2I) models, including well-known systems such as DALLĀ·E 2, Imagen, and Stable Diffusion. Although these models reveal impressive capabilities in generating a vast range of high-quality images from text prompts, they frequently struggle with composing scenes with multiple objects in specified spatial arrangements. This drawback is particularly pronounced in applications demanding narrative coherence, like storytelling or animation, where the spatial relationship between characters and objects is pivotal.

The authors propose an innovative approach termed "Directed Diffusion" (DD) to enable precise positional control over objects in generated images. Their approach leverages the cross-attention mechanism within diffusion models to guide the spatial placement of specified objects. The method is characterized by its simplicity and efficacy, integrating seamlessly with pre-trained models and requiring minimal computational adjustments.

Methodological Innovation

The essence of Directed Diffusion is its capability to direct the attention of the model to generate objects at user-specified locations. This is achieved by manipulating the cross-attention maps linked to specific words in the text prompt. The cross-attention maps, which represent the spatial distribution of attention across the image, are influenced through an optimization objective that imposes activation within desired regions. This manipulation ensures that the model places objects at specified locations without substantial alterations to the original model or its training.

The Directed Diffusion process encompasses two stages: Attention Editing and Conventional Denoising. The Attention Editing stage modifies attention maps during initial denoising steps to insert activations within specified bounding boxes, effectively guiding object placement. Following this, the Conventional Denoising stage refines the image to maintain coherence between the positioned objects and the background, ensuring plausible object-environment interactions.

Experimental Results and Comparisons

The experimental evaluation demonstrates the method's proficiency in handling complex prompts involving multiple objects. Results from Directed Diffusion exhibit improved positional accuracy over other contemporary methods like GLIGEN and BoxDiff, as evidenced by superior visual fidelity and coherent object interaction within scenes. The authors also introduce a placement finetuning mechanism, enabling post-generation adjustment of object positions while preserving identity and integration within the scene.

Quantitative evaluation using CLIP scores indicates the method's effectiveness, though the authors critically discuss the limitations of such metrics in fully capturing the spatial dynamics of storytelling tasks. Furthermore, qualitative comparisons highlight Directed Diffusion's advantage in avoiding common pitfalls like attribute misbinding and missing objects, which are prevalent in traditional T2I systems.

Implications and Future Directions

Directed Diffusion stands as a significant step forward in expanding the applicability of T2I models from isolated image generation to structured narrative content. By enabling precise control over object placement, it enhances the utility of these models in domains requiring explicit spatial arrangement, such as digital storytelling, animation, and interactive media design.

The theoretical implications of this work suggest further exploration of the interplay between cross-attention mechanisms and spatial representation in diffusion models. Future research could delve into refining optimization strategies to enhance object interaction realism or adapting the method for video generation, where temporal consistency and evolving spatial dynamics add layers of complexity.

In conclusion, the Directed Diffusion framework provides a robust, efficient means of overcoming a critical limitation in T2I models. By focusing on cross-attention optimization, it opens pathways for richer narrative constructions in AI-generated imagery, setting the stage for more coherent and controlled storytelling applications in artificial intelligence.

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Authors (5)
  1. Wan-Duo Kurt Ma (4 papers)
  2. J. P. Lewis (9 papers)
  3. Avisek Lahiri (14 papers)
  4. Thomas Leung (10 papers)
  5. W. Bastiaan Kleijn (39 papers)
Citations (54)
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