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Nested Music Transformer: Sequentially Decoding Compound Tokens in Symbolic Music and Audio Generation (2408.01180v1)

Published 2 Aug 2024 in cs.SD, cs.IR, cs.LG, and eess.AS

Abstract: Representing symbolic music with compound tokens, where each token consists of several different sub-tokens representing a distinct musical feature or attribute, offers the advantage of reducing sequence length. While previous research has validated the efficacy of compound tokens in music sequence modeling, predicting all sub-tokens simultaneously can lead to suboptimal results as it may not fully capture the interdependencies between them. We introduce the Nested Music Transformer (NMT), an architecture tailored for decoding compound tokens autoregressively, similar to processing flattened tokens, but with low memory usage. The NMT consists of two transformers: the main decoder that models a sequence of compound tokens and the sub-decoder for modeling sub-tokens of each compound token. The experiment results showed that applying the NMT to compound tokens can enhance the performance in terms of better perplexity in processing various symbolic music datasets and discrete audio tokens from the MAESTRO dataset.

Summary

  • The paper introduces the Nested Music Transformer (NMT) as a novel method to sequentially decode compound tokens, capturing interdependencies between musical features.
  • It employs a main autoregressive decoder alongside a sub-decoder with cross-attention that enriches sub-token embeddings based on previous states.
  • Quantitative evaluations demonstrate that NMT reduces GPU memory usage, lowers average NLL loss, and improves robustness compared to baseline models like REMI.

Nested Music Transformer: Sequentially Decoding Compound Tokens in Symbolic Music and Audio Generation

The paper "Nested Music Transformer: Sequentially Decoding Compound Tokens in Symbolic Music and Audio Generation" introduces an innovative architecture designed to enhance the decoding of compound tokens in the context of music generation. This architecture, termed the Nested Music Transformer (NMT), addresses the challenges associated with capturing interdependencies between musical features while maintaining efficient memory usage.

Overview of Prior Work

Symbolic music generation has seen success with autoregressive LLMs, notably leveraging flattened sequences of discrete tokens for representing musical data. Methods such as MIDI-like encoding and REMI have been prevalent, albeit at the cost of yielding lengthy sequences. To mitigate this, recent approaches have proposed compound tokens which group multiple musical features into single multi-dimensional tokens, thereby reducing sequence length. However, the current methods for predicting these compound tokens, whether in parallel or partially sequential manners, often fail to fully capture the interdependencies between different musical features.

Contribution of Nested Music Transformer

The Nested Music Transformer (NMT) is designed specifically to decode compound tokens in a fully sequential manner, mirroring the advantages of flattened tokens but with optimized memory use. The architecture incorporates two key elements:

  1. Main Decoder: This processes the sequence of compound tokens autoregressively.
  2. Sub-Decoder: This further decodes individual sub-tokens within each compound token using a cross-attention mechanism.

A distinctive feature of the NMT is the Embedding Enricher within the sub-decoder, which updates the embedding of each sub-token by attending to the hidden states of previous compound tokens. This mechanism ensures that the interdependencies between different features within a compound token are more accurately captured.

Note-Based Encoding

The authors introduce Note-based encoding (NB), a method that encapsulates comprehensive musical features within a single compound token. This representation utilizes eight musical features such as beat, pitch, duration, instrument, chord, tempo, velocity, and an additional metric feature for noting metrical changes.

Two versions of NB are evaluated:

  • NB-MF (Metric-First): Prioritizes metrical information.
  • NB-PF (Pitch-First): Prioritizes pitch information.

By reordering sub-tokens within the compound token, the model achieves a better balance in capturing features.

Comparative Evaluation

The NMT was compared against various baseline models including REMI and previous compound token schemes. Numerical results demonstrated:

  • Superior Performance: NB-PF + NMT showed a lower average NLL loss in several datasets, highlighting its efficacy.
  • Efficiency: The NMT reduced GPU memory usage and training time while maintaining or improving upon the prediction capabilities.
  • Robustness: Enhanced robustness to exposure bias compared to flattened token models, as evidenced by subjective listening tests.

Implications and Future Directions

The Nested Music Transformer introduces a promising direction for symbolic music generation and has potential implications for real-time music generation applications. The ability to more accurately capture feature interdependencies within compound tokens can lead to more coherent and natural music generation.

In terms of practical application, this approach could be extended to other domains where compound tokens are beneficial, suggesting a broader impact. Future research could further explore the integration of symbolic music features with audio tokens, potentially enhancing the generation quality in end-to-end music generation systems. Additionally, optimizing the Embedding Enricher's performance within different contexts and model settings presents an avenue for further refinement.

Conclusion

The Nested Music Transformer represents a significant advancement in the methodology for decoding compound tokens in music generation. It combines the strengths of autoregressive modeling with efficient memory usage, offering a nuanced approach to capturing complex interdependencies between musical features. The current results underscore its potential for both theoretical exploration and practical deployment in various generative tasks in the domain of music.

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