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Interactive Neural Style Transfer with Artists (2003.06659v1)

Published 14 Mar 2020 in cs.HC, cs.CV, cs.GR, and cs.LG

Abstract: We present interactive painting processes in which a painter and various neural style transfer algorithms interact on a real canvas. Understanding what these algorithms' outputs achieve is then paramount to describe the creative agency in our interactive experiments. We gather a set of paired painting-pictures images and present a new evaluation methodology based on the predictivity of neural style transfer algorithms. We point some algorithms' instabilities and show that they can be used to enlarge the diversity and pleasing oddity of the images synthesized by the numerous existing neural style transfer algorithms. This diversity of images was perceived as a source of inspiration for human painters, portraying the machine as a computational catalyst.

Citations (5)

Summary

  • The paper proposes a new evaluation methodology for neural style transfer, including a qualitative approach based on whether the output aligns with human artistic interpretation.
  • The study conducted real-world experiments projecting neural style transfer outputs onto physical canvases to explore dynamic human-machine interaction and co-creation.
  • It suggests that neural style transfer algorithms can act as computational agents and catalysts in the creative process, opening new avenues for hybridized artistic practices.

Analyzing "Interactive Neural Style Transfer with Artists"

The paper entitled "Interactive Neural Style Transfer with Artists" by Thomas Kerdreux, Louis Thiry, and Erwan Kerdreux explores the interface between human painters and neural style transfer (NST) algorithms. It provides a multifaceted examination of the capabilities, evaluation, and implications of neural style transfer techniques used in interactive artistic settings.

Overview

Neural style transfer, as introduced by Gatys et al., applies convolutional neural networks (CNNs) to render content images in the style of another image. The utility and aesthetic outcomes of such processes can vary considerably across different algorithms, owing to their technical implementations. Recognizing this variability, the authors propose a new methodological approach to evaluate NST methods, incorporating both a qualitative evaluation paradigm and an innovative quantitative framework emphasizing predictivity.

Evaluation Methodology

Qualitative Evaluation

One significant contribution is the qualitative evaluation based on predictivity—whether the NST algorithm's output aligns with how a human artist might depict a subject given the same style inspiration. The authors constructed a dataset of photograph-painting pairs, focusing on renowned architectural subjects such as the Notre Dame de Paris and Rouen Cathedrals. These pairs serve as benchmarks to systematically assess NST outputs. The qualitative paper emphasizes that some NST methods, like STROTSS, approximate human artistic interpretations more effectively than others, though often with notable artifact variation.

Quantitative Evaluation

The quantitative dimension critiques existing metric-based assessments, such as perceptual losses or Earth Mover’s Distance (EMD), asserting that convergence on numerical objectives isn't synonymous with high-quality artistic transformations. A substitute metric, the Sinkhorn Earth Mover's Distance (SEMD), is introduced but shown to not necessarily enhance visual outcomes. The divergence from traditional numerical achievement as a quality marker underscores the inherent complexity and subjectivity of artistic endeavors.

Interactivity and Creative Processes

The paper explores novel explorations of human-machine interaction in a real-world art creation context. The authors organized experiments wherein outputs from various NST algorithms were projected onto physical canvas, allowing artists to dynamically interact with machine-generated suggestions in real-time. Different configurations, such as iterative style adaptation or composite style canvases, were tested. These experiments illuminated the machine's role not merely as a tool but as a dynamic participant, acting as a "computational catalyst" in the creative process.

Implications and Insights

From the theoretical standpoint, the paper posits that NST algorithms can act as computational agents in creativity, influencing and inspiring human art practice. The notion of these algorithms as creative agents who can extend artistic expression challenges conventional views of machines as mere passive instruments.

Practically, by employing real-world canvases in their interactive methodology, the paper underscores the potential for hybridized artistic processes in contemporary art practices and opens up new avenues for human-machine co-creation. The notion of style transfer outputs as "computational landscapes" invites a paradigm shift where algorithmic creativity supplies a novel thematic reservoir for artistic exploration.

Conclusion and Future Directions

The exploration of neural style transfer through interactive painting processes provides deep insights into both the technical and creative potential of these algorithms. As NST and similar AI techniques continue to evolve, the boundary between artists and machines will likely become increasingly porous, inviting new forms of collaboration and creativity. Further research could explore more immersive forms of interaction, leveraging advancements in hardware and machine perception.

In sum, "Interactive Neural Style Transfer with Artists" serves as a critical touchstone for understanding the evaluative complexities and interactive potentials of neural-powered artistic creation. As we advance in AI, reciprocal human-machine art processes will likely become an innovative field in both artistic and computational research landscapes.

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