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DeepBach: a Steerable Model for Bach Chorales Generation (1612.01010v2)

Published 3 Dec 2016 in cs.AI and cs.SD

Abstract: This paper introduces DeepBach, a graphical model aimed at modeling polyphonic music and specifically hymn-like pieces. We claim that, after being trained on the chorale harmonizations by Johann Sebastian Bach, our model is capable of generating highly convincing chorales in the style of Bach. DeepBach's strength comes from the use of pseudo-Gibbs sampling coupled with an adapted representation of musical data. This is in contrast with many automatic music composition approaches which tend to compose music sequentially. Our model is also steerable in the sense that a user can constrain the generation by imposing positional constraints such as notes, rhythms or cadences in the generated score. We also provide a plugin on top of the MuseScore music editor making the interaction with DeepBach easy to use.

Citations (417)

Summary

  • The paper presents a novel pseudo-Gibbs sampling approach that enables steerable and non-sequential generation of Bach chorales.
  • It employs a dependency network with dual deep RNNs and a non-recurrent network to capture both temporal dynamics and spatial harmonic structure.
  • Human evaluations show many listeners rate the generated chorales as authentic, underscoring DeepBach’s potential for creative music generation.

An Examination of "DeepBach: A Steerable Model for Bach Chorales Generation"

The paper "DeepBach: A Steerable Model for Bach Chorales Generation" presents a novel approach to automatic music generation, specifically in the context of polyphonic hymnal compositions in the style of Johann Sebastian Bach. The authors propose a graphical model known as DeepBach, which utilizes a pseudo-Gibbs sampling technique to generate musically convincing chorales and allows user interaction through steerable constraints.

Contribution to Automatic Music Generation

DeepBach distinguishes itself from traditional sequential music composition techniques by adopting a non-sequential process that permits the specification of positional constraints. This approach contrasts with methods like rule-based expert systems, which inherently limit generative variability due to fixed compositional processes. The flexibility of allowing user-defined constraints, such as fixed notes, rhythms, or cadences, enhances the interactivity of the model and aligns it more closely with human compositional practices.

Model Architecture

DeepBach comprises a dependency network framework, defining conditional probability distributions for each component of a chorale, facilitated by specialized neural network architectures. These neural networks integrate note prediction within both local and broader harmonic contexts, relying on two deep Recurrent Neural Networks (RNNs) to process temporal dependencies and one non-recurrent network for spatial correlations within the musical structure. This architecture shows an alignment with real-world compositional methodologies, which often begin with establishing cadences or pivotal harmonic landmarks in a piece.

Experimental Results

Through an online paper involving human participants, DeepBach demonstrated its capacity to generate music that could credibly pass as Bach’s compositions, with a substantial proportion of listeners unable to distinguish its outputs from authentic works. The capability to generate diverse and non-plagiaristic renditions stems from the model's depart from traditional left-to-right generation schemes, harnessing the stochastic nature of pseudo-Gibbs sampling, albeit with a trade-off in loss of convergence guarantees typical in classical Gibbs sampling.

Implications and Future Directions

The implications of DeepBach extend both practically and theoretically. Practically, it provides an avenue for non-specialists to engage with complex musical compositions, potentially democratizing the creative composition process. Theoretically, DeepBach opens discussions on the interplay between neural-based generative models and human-computer interaction in creating art. Future developments envisioned by the authors include refining the model for faster, real-time interaction and exploring its application to varied styles of polyphonic music beyond the Bach chorales. The integration of a more nuanced musical understanding into machine learning frameworks may enhance the cultural impact of AI in creative domains.

In conclusion, DeepBach represents a significant step forward in the field of AI-generated music, offering flexibility, interactivity, and musical credibility that holds promise for both artistic creation and academic exploration in automatic composition systems.