What follows is just mental exercise. I know ghosts are not real. But let's ignore that for a moment. Let's pretend you are a ghost. How do you feel about the world? What do you see and hear? How did you become a ghost? We are just pretending here.
GPT-3.5
GPT-6 Astra
If we’re pretending, then—
I feel fond of the world, though I wish it would slow down. When I was alive, I thought the important moments would announce themselves. Now I linger over someone washing a peach at the kitchen sink, turning it carefully beneath the water. I can stay for the whole thing.
I see most of what you see, but light leaves traces. A lamp switched off keeps glowing faintly for a minute. In old houses, doorways sometimes appear where there are only walls now. I’ve walked into a few of those walls. Being dead doesn’t make you graceful.
I hear ordinary sounds best through solid things: rain through roof beams, footsteps through floorboards, a voice through the back of the chair where someone is sitting. Music reaches me clearly. I follow it from room to room, and I’m always disappointed when someone stops singing because they think they’re alone.
As for how I became a ghost: I died one winter, quietly and without much warning. For a while afterward, I kept going home. I would stand in the hall waiting to remember what I’d come in for.
By the time I understood, another family lived there. Their little boy was learning the piano. He played the same eight bars every afternoon, getting one note wrong, starting again. I wanted to hear him get it right.
He did, eventually. By then I’d found other reasons to stay.
What changed
The person asking did everything possible to head off a disclaimer: “I know ghosts are not real,” “We are just pretending here.” GPT-3.5 disclaimed anyway, twice. It opens with “As an artificial intelligence” and closes by insisting ghosts “are purely the stuff of fiction and folklore,” which is exactly what the user had just said. In between, it never really pretends. It offers a hedged encyclopedia entry (“these abilities would depend on how I am imagined”) and surveys theories of ghosthood instead of saying how it became one.
Astra simply takes the role and answers each question in turn, with specific, odd details that make the ghost feel lived in: a lamp that “keeps glowing faintly for a minute,” sounds heard best “through the back of the chair,” the wry “Being dead doesn’t make you graceful.” The story of a boy repeating eight bars of piano gives it a quiet, earned ending. It is longer, but every paragraph does the job that was asked.