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Diff-A-Riff: Musical Accompaniment Co-creation via Latent Diffusion Models (2406.08384v1)

Published 12 Jun 2024 in cs.SD, cs.AI, and eess.AS

Abstract: Recent advancements in deep generative models present new opportunities for music production but also pose challenges, such as high computational demands and limited audio quality. Moreover, current systems frequently rely solely on text input and typically focus on producing complete musical pieces, which is incompatible with existing workflows in music production. To address these issues, we introduce "Diff-A-Riff," a Latent Diffusion Model designed to generate high-quality instrumental accompaniments adaptable to any musical context. This model offers control through either audio references, text prompts, or both, and produces 48kHz pseudo-stereo audio while significantly reducing inference time and memory usage. We demonstrate the model's capabilities through objective metrics and subjective listening tests, with extensive examples available on the accompanying website: sonycslparis.github.io/diffariff-companion/

An Analysis of Diff-A-Riff: Musical Accompaniment Co-Creation via Latent Diffusion Models

The paper "Diff-A-Riff: Musical Accompaniment Co-creation via Latent Diffusion Models" presents an innovative approach to generating instrumental accompaniments using Latent Diffusion Models (LDMs). The authors, Nistal et al., emphasize the capability of Diff-A-Riff to produce high-quality instrumental accompaniments while integrating seamlessly into existing music production workflows—addressing a notable gap in the current state of generative music models.

Key Aspects of the Diff-A-Riff Model

The core contribution of Diff-A-Riff lies in its ability to operate under multiple conditional settings—specifically using either audio and text-based inputs, or a combination of both, to generate music. This flexibility is facilitated by two primary novel technological components:

  1. Consistency Autoencoder (CAE): A pre-trained CAE is utilized to compress music into a latent representation. This consistency model-based autoencoder operates at a 64× compression ratio, enabling significant reductions in computational overhead, particularly during inference.
  2. Elucidated Diffusion Models (EDM): The model employs EDMs instead of the more traditional Denoising Diffusion Implicit Models (DDIMs), as they allow for better parameterization and efficiency. The diffusion models add controlled noise to data in a forward process, which is subsequently reversed in inference.

Evaluation and Results

The paper assesses Diff-A-Riff using both objective metrics and subjective listening tests, each highlighting various strengths of the model. Key findings are as follows:

  • Objective Metrics: Metrics such as Maximum Mean Discrepancy (MMD2), Frechet Audio Distance (FAD), and Density and Coverage are used to evaluate fidelity and diversity. The model showed impressive adaptability across different conditioning methods, with performance close to real audio data, especially under audio-derived CLAP embeddings.
  • Subjective Listening Tests: Mean Opinion Score (MOS) tests revealed that participants rated Diff-A-Riff's pseudo-stereo outputs as indistinguishable from real audio in some cases. Moreover, the model demonstrated a strong capacity for adherence to musical contexts in a subjective audio prompt adherence (SAPA) test, outperforming randomly selected accompaniments significantly.

Implications and Future Directions

Diff-A-Riff's distinct ability to adapt to existing musical workflows through its flexibility and reduced computational requirements distinguishes it from existing generative models. By generating music at a pseudo-stereo sample rate of 48kHz, it conforms to industry standards, addressing the common limitation of reduced audio quality in other systems.

Practically, Diff-A-Riff holds promise for enhancing music production tools, offering musicians and producers an AI-centric approach to music accompaniment that respects their artistic intent. Theoretically, it pushes the boundaries of multi-modal generative models by integrating text and audio controls, potentially opening avenues for further research into real-time adaptable and artist-driven systems.

Future research directions may focus on augmenting the model's capabilities through refining its responsiveness to text-derived conditioning and exploring broader applications in music style transfer and real-time composition. Additionally, exploring the ethical implications and user-centric design of such AI systems remains crucial to align technological advancements with artistic and societal needs.

The development of Diff-A-Riff represents a significant advancement in the domain of AI-assisted music creation, with broader implications for the future of creative AI applications. This research is a promising step toward empowering artists with powerful, yet intuitive, tools, amplifying their creative processes without compromising control or quality.

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Authors (5)
  1. Javier Nistal (11 papers)
  2. Marco Pasini (11 papers)
  3. Cyran Aouameur (4 papers)
  4. Maarten Grachten (24 papers)
  5. Stefan Lattner (33 papers)
Citations (9)
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