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DualVector: Unsupervised Vector Font Synthesis with Dual-Part Representation (2305.10462v1)

Published 17 May 2023 in cs.CV

Abstract: Automatic generation of fonts can be an important aid to typeface design. Many current approaches regard glyphs as pixelated images, which present artifacts when scaling and inevitable quality losses after vectorization. On the other hand, existing vector font synthesis methods either fail to represent the shape concisely or require vector supervision during training. To push the quality of vector font synthesis to the next level, we propose a novel dual-part representation for vector glyphs, where each glyph is modeled as a collection of closed "positive" and "negative" path pairs. The glyph contour is then obtained by boolean operations on these paths. We first learn such a representation only from glyph images and devise a subsequent contour refinement step to align the contour with an image representation to further enhance details. Our method, named DualVector, outperforms state-of-the-art methods in vector font synthesis both quantitatively and qualitatively. Our synthesized vector fonts can be easily converted to common digital font formats like TrueType Font for practical use. The code is released at https://github.com/thuliu-yt16/dualvector.

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Authors (6)
  1. Ying-Tian Liu (7 papers)
  2. Zhifei Zhang (156 papers)
  3. Yuan-Chen Guo (31 papers)
  4. Matthew Fisher (50 papers)
  5. Zhaowen Wang (55 papers)
  6. Song-Hai Zhang (41 papers)
Citations (10)

Summary

DualVector: Unsupervised Vector Font Synthesis with Dual-Part Representation

The paper "DualVector: Unsupervised Vector Font Synthesis with Dual-Part Representation" introduces DualVector, a novel approach to vector font synthesis that leverages a dual-part representation. This method is particularly interesting as it provides a solution to overcome the challenges of high-quality vector font generation, doing so without vector supervision.

Dual-Part Representation

The core of the proposed method is the dual-part representation of vector glyphs. This technique models each glyph as a combination of closed "positive" and "negative" path pairs using Bèzier paths. By employing boolean operations on these paths, the method achieves efficient representation and modeling of intricate glyph contours. The benefits of using Bèzier paths include their expressive power in representing complex shapes and their compatibility with standard digital font formats like TrueType Font.

Methodology

DualVector is built on two main components: the vector branch and the image branch.

  1. Vector Branch: It uses a latent code to produce a dual-part representation of glyphs. This representation effectively reduces the complexity by focusing on geometric primitives instead of direct manipulation of path commands, which are prone to ambiguities and require intensive computation.
  2. Image Branch: This additional component generates pixelated glyph images that provide detailed guidance for contour refinement, helping bridge any qualitative gaps between the raw vector output and the required design quality.

The process is further enhanced by a contour refinement step that utilizes differentiable rendering with tools such as DiffVG to align and optimize contours against a pixel representation, ensuring high fidelity and detailing.

Performance and Evaluation

DualVector's performance is demonstrated through extensive experiments comparing it with state-of-the-art methods including DeepVecFont, Multi-Implicits, and Im2Vec. The quantitative results show superior performance in image-level metrics such as SSIM, L1 error, and structural Intersection over Union (s-IoU), establishing the method's efficacy in reconstructing and generating vector fonts. Notably, DualVector achieves a compelling balance between quality and computational efficiency, making its outputs competitive with human-designed fonts in terms of command compactness.

Implications and Future Work

The implications of this research are significant for the domains of digital typography and graphic design. It provides a framework for unsupervised font creation, potentially reducing the manual effort required in font design processes. Additionally, the method's adaptability to existing digital font formats facilitates its integration into current workflows.

Looking forward, potential areas for improvement include optimizing the contour refinement process to reduce time overheads and expanding the scope to address kerning and inter-glyph spacing, which currently remains a non-trivial post-processing challenge. Further exploration into applying this dual-part representation to other complex font systems, such as those with extensive glyph sets like Chinese scripts, might also yield valuable insights.

In conclusion, DualVector presents a robust framework for unsupervised vector font synthesis, contributing a valuable tool to the field of computational typography and paving the way for further advancements in AI-driven design automation.

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